30.11.2017

Open Calls

The Darmstadt Summer Course 2018 will take place from 14 to 28 July 2018.

Registered participants are invited to take note of the open calls for special projects. Detailed terms of application can be found in the section Summer Course > Calls.

15 January 2018:

Workshop "Voice Electrification"
31 January 2018:
Artistic Research

30.11.2017

Open Calls

30.11.2017

Open Calls


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10.11.2017

Digitalisiertes Archiv des IMD ist online

In einem groß angelegten Digitalisierungsprojekt hat das Internationale Musikinstitut Darmstadt (IMD) seit 2010 zentrale Teile seines wertvollen Archivs digital gesichert und in einer Datenbank erschlossen. Mit einem Symposium wurde die digitale Sammlung am 9. November 2017 öffentlich vorgestellt und ist ab jetzt online unter imd-archiv.de durchsuchbar.

mehr

Suche Stockhausen 555px

10.11.2017

10.11.2017


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08.11.2017

Save the date: Darmstadt Summer Course 2018

Save the date for the Darmstadt Summer Course 2018! From 14 to 28 July 2018, we’ll be offering an intense program of concerts, courses, workshops, lectures, discussions, think tanks and ateliers with around 60 tutors and many guests. More than 350 participants from around 50 nations are expected in Darmstadt. From now on we will report regularly on projects and new formats, calls, the tutors, the concert and performance program and on practical questions like how to get here or how to find an accomodation. Booking and registration for participation will be possible on this website from January to April 2018.

more (fees, accomodation, tutors)

Booking & Registration: January 2018
Festival Program & Tickets: April 2018

Newsletter Subscription
08.11.2017

08.11.2017


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26.10.2017

Just published: Darmstädter Beiträge zur Neuen Musik Vol. 24

The Darmstädter Beiträge zur Neuen Musik Vol. 24 are collecting some of the lectures, texts and discussions of the Darmstadt Summer Course 2016. The book is available via Schott Music  at a price of 16,95 € (plus shipping). 

 

Steven Kazuo Takasugi: On Musical Content (from a Composer's Perspective)
Alec Hall: Acoustics of the 21st Century
Marko Ciciliani: Music in the Expanded Field – On Recent Approaches to Interdisciplinary Composition
G Douglas Barrett: Toward a Critical Music After Sound
Nico Couck: When New Music Turns Old
Ashley Fure: Reflections on Risk. Pigeonholes, Precarity, and the Zero-Sum Game of Time
Jörn Peter Hiekel: "... es gibt keine Philosophie der neuen Musik". Zur Relation zwischen Gegenwartsmusik und Philosophie heute
Dieter Mersch: Kompositorisches Denken und Neue Technologien
Bernhard Waldenfels: Mehr oder weniger als Musik
Christian Grüny: Countering Constriction: Modest Proposal for a Discursive Reversal
Harry Lehmann: Was ist politische Musik?

DA Beitraege 24

26.10.2017

26.10.2017


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23.08.2017

Ausschreibung Reinhard Schulz-Preis 2018

Bereits zum vierten Mal wird 2018 der Reinhard Schulz-Preis für zeitgenössische Musikpublizistik verliehen. Deutschsprachige Musikpublizist*innen haben bis zum 31. März 2018 die Möglichkeit, bereits veröffentlichte Arbeitsproben zur zeitgenössischen Musik aus den Bereichen Print, Hörfunk, Film und Fernsehen oder Online-Journalismus einzureichen. Die Bewerber*innen dürfen am 31. März 2018 das 35. Lebensjahr noch nicht vollendet haben.

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23.08.2017

Ausschreibung zum Reinhard Schulz-Preis 2016

23.08.2017

Ausschreibung zum Reinhard Schulz-Preis 2016


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06.02.2017

Documentary #3: Archive Fever

Being overwhelmed by the presence of history, that’s the feeling that Lars Petter Hagen recalls from his first visit of the IMD archive with its original correspondence by famous composers and theoreticians, recordings of legendary lectures and performances, scores, a very rare photo collection and even some video. Commissioned by the Darmstadt Summer Course, the norwegian composer, festival director and curator developed a concert-installation for a historic context: In the 60s and 70s, the Justus-Liebig-Haus was the place of legendary Summer Course events.

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06.02.2017

06.02.2017


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31.12.2016

Documentary #2: Music in the Expanded Field

With another video by nmzMedia (Katharina Herkommer und Jörg Lohner) we are looking back once again on the past year and the International Summer Course for New Music (29 July to 14 August 2016). Under the motto „Music in the Expanded Field“ the Darmstadt Summer Course has featured new and commissioned works by Ashley Fure, Lars Petter Hagen, François Sarhan, Annesley Black, the choreographic concert „UN/RUHE“ by Junge Deutsche Philharmonie, Sasha Waltz & Guests, the Composer-Performer Workshop with Jennifer Walshe and David Helbich or Marko Ciciliani’s Workshop on audiovisuality „Music in the Expanded Field“ – to name only a few projects with this thematic focus.

31.12.2016

31.12.2016


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24.10.2016

Documentary #1: Darmstadt Summer Course 2016

Katharina Herkommer and Jörg Lohner (nmzMedia) have accompanied the Darmstadt Summer Course 2016 (29 July to 14 August 2016) with their camera and captured some impressions from concerts, installations, workshops and other activities, also providing a glimpse of the precious and now digitized Summer Course archive and ways of its artistic reflection. This is the first of two documentaries on this year's Darmstadt Summer Course and its 70th anniversary.
Many thanks to all contributors in the film!

24.10.2016

24.10.2016


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06.08.2016

Darmstadt Summer Course on Voice Republic

As Podcast or Live Stream: You can follow the lectures and conferences of the Darmstadt Summer Course on Voice Republic!

Voice Republic

06.08.2016

06.08.2016


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